| Photography has always had an ambivalent relationship with the ‘real world’, | |
| framing the physical world in constructed realities inside our minds. | |
| In my sculptural photographs I construct abstract models of psychological states, | |
| which are embedded in installations that ground them in a spatial and social context. | |
| Through these fragmented perspectives, my photographic installations serve as | |
| mnemonic devices that challenge the knowledge templates we create of the world we live in. | |
| PHD EXBIBITION | |
| This exhbition of interactive art experiments was part of my interdisciplinary PhD research | |
| into the relationships between visual imagination and the social brain. | |
| For more information on the research, see the website of The Thinking Eye: http://www.thinkingeye.org/research | |
| SPACES | |
| Maps | |
| Rooms | |
| Views | |
| Spaces | |
| WRITING | |
| Picturing Mind Machines | |